FAQ: What do the Genji crests represent?
Genji crests (Genji-mon) are 54 different rectilinear emblems, each associated with one of the 54 chapters of the Genji monogatari ("Tale of Genji," early eleventh century, written by Murasaki Shikibu). This classic work of literature is considered by
many to be the world's first novel and, in the opinion of some scholars, the finest prose work ever written in Japan. The Genji story
was a very popular subject in ukiyo-e prints. Genji crests (see Table of Genji-mon),
also called Genji-kô ("Genji incense"), were apparently first derived from one of the traditional incense ceremonies
in which participants burned combinations of 5 primary scents from 25 different packets, each marked with a unique symbol. (Note that each
of the 54 Genji-mon are composed of 5 primary vertical stems with different arrangements of one or more upper horizontal cross bars.)
Eventually, these 25 symbols were expanded to 54, corresponding to the Genji chapters. Other influences on the particular forms of these
crests may have been the tally markers or vent patterns of the incense burners used in the ancient game of incense guessing, called
awase-kô ("fragrance game" or "incense contest"). The game challenged players to identify burning
incense when small slivers of various fragrant tree resins were placed on pieces of mica and burned over charcoal in a kôrô
(incense burner). Players had their guesses tallied and the one with the most correct guesses was the winner (some versions of the contest
also involved game boards in which correct guesses permitted the players to advance toward the center of the board). The incense game was
very popular during the Heian period (794-1185) and the patterns associated with it were often represented in ukiyo-e prints (see the detail
from a print by Kuniyoshi, above left).
In Edo period printmaking these incense patterns were not always strictly matched with the chapters
of the Genji story. For example, they were used occasionally to develop analogies with classical culture or the historical past as part of
mitate-e ("view and compare prints" or analogues), combining the historical with the contemporary without necessarily requiring a literal
correlation. Thus in ukiyo-e prints the inclusion of Genji-mon may not designate a direct association with a particular chapter in the
Genji monogatari, although indirect allusions can often be found (see the discussion about one of
Kuniyoshi's "Cloudy Genji" prints). © 1999-2001 by John Fiorillo
- Dower, J., The Elements of Japanese Design. New York: Weatherhill, 1971, pp. 152-53 , nos. 2676-2715.
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